Today’s guest post is from Persolaise, the author of the Le Snob – Perfume guide, published by Hardie Grant. He is also the editor of the Persolaise blog, as well as a regular contributor to Basenotes. He has won three UK Jasmine Awards, most recently for Guardians Of The Past – A Trip To The Osmotheque. He attended the press launch of Hermès Le Jardin de Monsieur Li in February (and you can find his review of the fragrance here).
There was no escape. From across the other side of the room, an actress clad in black caught your eye. She strode across to you, her gaze locked on yours, her head fixed in that infuriatingly perfect immobility which only dancers and stage performers seem to be able to pull off. Then, when she was a few paces away, you noticed she was holding a long, narrow tube. With smooth movements, she raised it and brought one end close to one of your ears. The other end neared her mouth. And then she whispered, slowly, breathily, pausing after each word. “What is difficult… is to be open… to the open… in the open.” She searched your face for a reaction, but you didn’t have the heart to tell her that you found all of this rather peculiar. So she gave you an enigmatic smile and wandered off, probably to look for another unsuspecting ear.
The setting for this bizarre exchange was the pagoda on Paris’ Rue De Courcelles, the venue chosen by Hermès for the launch of Le Jardin De Monsieur Li.
