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Browsing by tag: jacques guerlain

Guerlain Mouchoir de Monsieur ~ fragrance review

Posted by Kevin on 5 March 2009 74 Comments

Guerlain Mouchoir de Monsieur cologne for men

Dear Gentlemen Readers: How many of you employ a mouchoir* during the course of a customary day? Are your mouchoirs made of fine Egyptian cotton? Linen? Silk? If you espy a lady, or gentleman, on the verge of collapse, overheated or overwhelmed, about to cry…do you rush to proffer your mouchoir? Is said mouchoir scented? Please advise your query-full Reviewer posthaste!

Okay, that’s enough stilted prose for now. The name ‘Mouchoir de Monsieur’ (Gentleman’s Handkerchief) sounds dated too, doesn’t it? While reading reviews and opinions on Guerlain's Mouchoir de Monsieur Eau de Toilette, the words “dandy” “of another era” and “old fashioned” are used repeatedly. (For the record — maybe I’m old fashioned myself — I always have a fresh linen handkerchief either in my bag or on my person and I use it exclusively to wipe my damp brow. I’ve never been in a position to offer a hankie to someone in need, and my mouchoir is unscented.)

Mouchoir de Monsieur, a Jacques Guerlain creation, was released in 1904; it contains lavender, bergamot, verbena, rose, jasmine, neroli, fern harmony, civet, patchouli, vanilla and iris…

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Random musings on Guerlain Shalimar

Posted by Robin on 31 March 2008 102 Comments

Guerlain Shalimar advert 1Guerlain Shalimar advert 2

What follows is not, properly speaking, a review of Guerlain’s Shalimar. Shalimar is so iconic that there isn’t much to be said on the subject that hasn’t already been said, and the only reason I’m writing about it today is that I’m planning to talk about the newest member of the Shalimar family, Eau de Shalimar, tomorrow, and my inner perfume geek insists that I can’t talk about Eau de Shalimar without at least mentioning its parent first.

The oft-told story about Shalimar is that perfumer Jacques Guerlain was messing around with ethyl vanillin, a then-new synthetic vanilla, and he poured some into a bottle of Jicky to see what would happen. Apocryphal or not, the anecdote neatly connects the dots between the dawn of modern perfumery with Jicky in 1889 and the classic fragrances of the 1920s and 1930s…

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Guerlain Vol de Nuit fragrance review

Posted by Kevin on 28 June 2007 35 Comments

Guerlain Vol de Nuit perfume

Whenever I have a bout of insomnia on terra firma, I do not count sheep or backwards from 1000, nor do I imagine myself on a deserted beach in a comfy hammock; I imagine myself on an airplane, high in the sky, at night. Put me in a window seat with my neck-rest, pillow, eye mask, blanket and earplugs and you will behold a man who can sleep from Seattle to Bangkok. I do love “flying,” especially at night; on an airplane, the engine’s hum and vibration, the isolation, and the suspension of physical activity all induce drowsiness and serenity.

Guerlain’s Vol de Nuit (Night Flight) was (supposedly) inspired by the 1931 novel of the same name by aviator Antoine de Saint-Exupéry. I read Vol de Nuit and assume Guerlain loved its title and figured out a way to incorporate the story into Vol de Nuit’s advertising. Vol de Nuit, le parfum, in no way conjures up the sense of danger and high altitude excitement the novel depicts…

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Guerlain L’Heure Bleue fragrance review

Posted by Kevin on 18 May 2007 86 Comments

Blue SnakeGuerlain L'Heure Bleue perfume

During spring and summer, the Northwest has some of the most beautiful and dramatic “blue hours” I’ve ever experienced — the lustrous sky turns every shade of blue, from chalk blue to blue-black. While wearing Guerlain’s L’Heure Bleue fragrance for the first time, I went outside with my cat (who is blue himself) and experienced a blue hour; I sat under my second-story porch, behind a curtain of blossoming clematis vines that swayed in the cool breeze, their pink and blue, vanilla-scented flowers glowed like stars against the dark shiny leaves of the laurel hedge. The ornery blue jays had gone to nest and refused to participate in my blue reverie, but a robin “trio” sang soothing avian folk songs till dark.

The “blue hour” is the time between sunset and nightfall when everything seems tinged with blue. I’m a lover of the blue hour; in fact, I like the world best between twilight and dawn. I could easily keep vampires’ hours, since bright sunny days wear me out, wear me down and make everything seem too focused, exposed and raw.

I’ll spare you the oft-told tale of the creation of L’Heure Bleue (easily read on Guerlain’s website) but I will say that people who have reviewed this perfume often find it “sad” and “melancholy.” I bet many of those people love the daytime, the sun, brightness and heat. To me, L’Heure Bleue is “quiet,” not sad, but I do find it “chilly” and a bit harsh, especially in its extreme dry-down phase…

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Guerlain Mitsouko (pour homme) fragrance review

Posted by Kevin on 17 May 2007 52 Comments

Yukio Mishima

During early spring, while I was reading Michael Edwards’ Perfume Legends, I was struck by the number of ‘landmark’ perfumes of the early 20th century I had not smelled. I hadn’t bothered to seek out many of the old Guerlain, Caron or Patou perfumes because they were for women and I would not be wearing them — so why bother? My interest in these vintage perfumes was ignited by Perfume Legends; in the book, Sylvaine Delacourte, artistic director at Guerlain and one-time assistant to Jean-Paul Guerlain, was quoted as saying great perfumes, especially chypres, could be worn and enjoyed by women and men: “A great perfume appeals…to all human beings.”

Today, men are more open to floral and fruit notes in their colognes. Fragrance houses like Serge Lutens do not categorize scents as “masculine” or “feminine” but encourage people to wear the scents they appreciate. In Robin’s recent article Notes on perfume and context, she suggested perhaps the best way to try fragrances would be to put perfumes in plain glass bottles — that way, no information on the perfume name, perfumer, ingredients, design/perfume house, packaging or “inspiration” would influence our judgment of fragrances. To take away such “markers” would also take away gender clues.

I began my remedial perfume studies with Guerlain. I ordered samples of classic Guerlain scents (in Eau de Parfum and Eau de Toilette strengths); when I received the fragrances, I immediately covered their names with white tape and I began to wear the “unknown” perfumes one by one…

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