Myrrhe Églantine is one of the five new Hermessence fragrances from Hermès. They’re the first additions to the series from house perfumer Christine Nagel, and before you go complaining about the five, don’t forget that the Hermessences debuted under Jean-Claude Ellena — way back in 2004, a kabillion perfumes ago! — with four: Ambre Narguile, Poivre Samarcande, Rose Ikebana, Vetiver Tonka. And, happily for me, I’m only going to worry about three of the new ones, since two are expensive perfume oils I’ll probably never manage to get my hands on. As for Agar Ebène, Cèdre Sambac and Myrrhe Églantine, I bought those unsniffed right away, in the (swap-bait) 15 ml travel sizes. I’m starting with Myrrhe Églantine, largely because I was curious what Nagel would do with it, given that there’s already a rose in the series.

Hermès is a luxury house, and they do luxury press jaunts to match,¹ but they’re not known for providing the sort of persnickety details that perfumistas adore, like say, a list of notes…

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