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Browsing by tag: dearly departed

Pierre Cardin Choc de Cardin ~ fragrance review

Posted by Angela on 26 March 2012 42 Comments

Pierre Cardin Choc de Cardin

As an antidote to hot weather, a chilled bottle of something refreshing to splash on is a must. Open my refrigerator, and among the salted anchovies, ancient miso, and quart of half and half you’ll find a plastic jug of Revlon Jean Naté. If I could swing it, you’d see a clutch of Pierre Cardin Choc de Cardin bottles instead.

Choc de Cardin, developed by perfumer Françoise Caron, launched in 1981.1 It’s that rare fragrance that’s a mix of refreshingly clean and scintillatingly dirty. To get an idea of what I mean, imagine the scent of a hot sidewalk after a rain. No, Choc de Cardin doesn’t smell like wet cement, but it blends the sensation of dirt and crisp clean. Or think of what it’s like to emerge from the shower, all soapy fresh, then slip on your honey’s bathrobe — the robe that should have gone in last week’s wash but didn’t. That’s what I mean.

Choc de Cardin opens with sharp, soapy green. Initially it smells like many bergamot and herb-tinged colognes, cool and refreshing and not overly citrus. Before long, skank kicks in in the form of coriander and civet…

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Guerlain Attrape-Coeur & Vol de Nuit Evasion ~ fragrance review

Posted by Angela on 6 February 2012 82 Comments

Guerlain Guet-ApensGuerlain Attrape-Coeur

The archetypal image of Valentine’s Day is a heart-shaped box of chocolates. Done right, the box is wrapped in lightly padded vermillion satin, and the chocolates are rich and silky smooth — no grainy cherry filling here. Of course, next to the box is a lush bouquet of fragrant flowers. It’s romantic, timeless, and sure to melt the coldest heart. To me, its perfume equivalent could only be Guerlain Attrape-Cœur.

In 1999, Guerlain released Guet-Apens Eau de Parfum as a limited edition and named Mathilde Laurent as its nose. The fragrance was reissued in 2005 as Attrape-Cœur, this time credited to Jean-Paul Guerlain. (I’ve also seen Maurice Roucel’s name tossed in as a contributor to Attrape-Cœur.) In 2007, Guerlain released an Eau de Toilette formulation in duty free shops and named it, oddly, Vol de Nuit Evasion. (To make it even stranger, Vol de Nuit Evasion was packaged in a L’Heure Bleue/Mitsouko bottle, but labeled with the classic Vol de Nuit parfum logo.)

In French, guet-apens means “ambush.” I think Attrape-Cœur (“heart catcher”) is a more fitting name for the fragrance…

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I continue to search for Jules

Posted by Robin on 31 January 2012 10 Comments

As for me, I continue to search for Jules, and have even resorted to seeking out back-street chemists in the hope they might just have some old stock. So far I've had no luck, but I have befriended a few pharmacists along the way and I have enjoyed some limited success with the other scent I mourn, Samarkand, another 1980s classic, this one by the Body Shop.

— Gareth Wyn Davies on discontinued (or, as in the case of Jules by Christian Dior, poorly distributed) fragrances for men. Read more at To be (dis)continued: the story of the lost men's scents at the Telegraph.

5 perfumes: Mimosa

Posted by Erin on 16 December 2011 64 Comments

yellow mimosa

I have always liked mimosa in fragrances. Rather, I should clarify: I have always liked Acacia farnesiana (cassie) and/or scents with heliotropin. The term “mimosa” is a bit of a moving target, even in botany, as there are about 400 species or cultivars of plants under this genus, mostly with pink or mauve flowers, in addition to many other shrubs or trees that produce poofy, cartoonish blossoms and were historically lumped in under the name by the public — silk tree being an example. The sweet, warm, powdery smell we encounter in perfumery, with its facets of almond, honey, violet, craft paste and fresh cucumber, comes from distillation of the soft, feathery yellow petal clusters of the acacia species that most of us in the West know as mimosa flowers. One of my most vivid and happy memories of visits to France is the bushels of mimosa branches tossed out during “La Bataille de Fleurs” or flower parade during the Carnaval de Nice, which winds its way along what must be one of the world’s most beautiful thoroughfares, the Promenade des Anglais.

For all its cheerful straight-forwardness, mimosa appears to be a hard note to use in perfume. There are very few credible soliflores and many mainstream fragrances with a strong mimosa presence come off as airheaded and shampoo-like. With the IFRA restrictions on heliotropin, it has become even more difficult, if not impossible, to base a fragrance around the flower. Looking to include perfumes with some availability in this list, I found that almost all the mimosa fragrances I’d enjoyed at the beginning of my perfume education in the mid-noughties were discontinued or reformulated. Caron Farnesiana, long the great classic of mimosa perfumes, has gone through so many versions that it is hard to keep track of them all…

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Elizabeth Taylor Black Pearls ~ fragrance review

Posted by Angela on 6 June 2011 99 Comments

Elizabeth Taylor Black Pearls

For Elizabeth Taylor Black Pearls Eau de Parfum, it’s almost as if the Liz Taylor perfume team set out to make a fragrance that was the complete opposite of White Diamonds. First, of course, the name. What could be more removed from a white diamond than a black pearl? Then the fragrance itself. White Diamonds is a grand, soapy, white floral with a clean, dignified, and innocent air. Black Pearls is something else altogether.

“Well, if we really want to distinguish it from White Diamonds, we’ll need fruit,” a marketing person must have said.

“How about peach? You know, voluptuous, like Ms. Taylor herself. We can add a spot of bergamot to keep it from being too sweet,” the perfume executive said.

“What else? What else will set it apart from White Diamonds?”

“Maybe vanilla? We can make it an oriental. Wait! I know — how about leather? A whopping leather note? There’s nothing innocent and ladylike about that.” And so, in 1996, Black Pearls was born. At least, in my imagination that’s how it happened. And that’s how it smells…

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