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Browsing by tag: dearly departed

Emilio Pucci Zadig ~ (vintage) fragrance review

Posted by Angela on 28 April 2014 14 Comments

Pucci Zadig scarf

The name of Emilio Pucci’s fragrance Zadig is very close to “zaftig,” and it fits. Zadig is blowsy and lush and sexy, but in a way that isn’t stylish anymore. Kind of like Anita Ekberg. And then there’s Voltaire’s story, “Zadig ou la Destinée,” in which a hermit tells the hero that he must submit to fate. So, by name alone, Zadig evokes passion, fate, history, and good old-fashioned pulchritude. That’s a lot to live up to. In my opinion, Zadig succeeds.

Zadig was released in 1973. I can’t find much that’s “official” about Zadig, but scouring the internet has turned up a list of notes including aldehydes, bergamot, orange, peach, coriander, clove, rose, honey, jasmine, orris, ylang ylang, vetiver, benzoin, patchouli, cinnamon, vanilla, tolu, Tibetan musk and amber. Zadig also spawned a few flankers, Miss Zadig (1977) and Miss Zadig Eau Fraiche, neither of which I’ve sampled…

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Schiaparelli Snuff ~ fragrance review

Posted by Kevin on 22 January 2014 41 Comments

Elsa Schiaparelli

Over the last several weeks, I’ve come across many articles in fashion magazines and style sections of newspapers congratulating Diane von Furstenberg on the 40th anniversary of her “creation” of the wrap dress. Diane von Furstenberg certainly made the wrap dress popular, and that dress propelled her to designer superstardom, but another woman beat her to the wrap dress…by decades.

I had seen Elsa Schiaparelli’s work in museums, knew her face from perusing old photographs of the Paris art scene pre-World War II, and had sniffed some of her perfumes, including the most famous, Shocking, before reading Judith Thurman’s great 2003 New Yorker article, “Mother of Invention,”1 but that article sent me on a more in-depth trip of discovery into the world of Schiaparelli…

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Weil Zibeline and Secret de Venus ~ fragrance review

Posted by Angela on 13 May 2013 34 Comments

Weil fur advert

In searching for something to review this week, I dropped by Nordstrom for a sample of Valentino Valentina Assoluto. I’d peeled open its scent strip in Vogue and read its notes, and it sounded alluring — warm, earthy, and sultry with a truffle note. But the real thing? Valentina Assoluto was the epitome of a bad mall fragrance, shrill and off-putting, exactly what I fear encountering in elevators. I left my sample in the garbage at work.

But it spurred me to think, what makes a sultry perfume? Has our definition of seductive scent changed so much over time? I reached for some Weil Zibeline and spritzed. Now that’s what I call a comfortable yet sexy fragrance: a diffuse top, complex warm and spicy heart, and sweet, animalic drydown. Valentino et al, take notes…

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Going, going, gone: Le Labo Aldehyde 44

Posted by Robin on 26 February 2013 16 Comments

Le Labo has announced that due to the closing of the Dallas Barneys, they will be discontinuing the city exclusive fragrance for that store, Aldehyde 44. While stocks last, the scent will be available in all Le Labo stores, including their online shop (although it does not seem to be available there as yet).

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It is the way I ought to smell

Posted by Robin on 3 January 2013 13 Comments

Wearing it, I am my best self - it is the way I ought to smell. It feels so much a part of me that I can't believe it isn't organic, essential. I feel a faint sense of outrage that, after all this time, I can't generate it myself. It should have saturated my skin. It should have soaked, by now, into my bones.

— Novelist Francesca Segal writes about her discontinued signature fragrance (Versace V/S)  in Vogue's December Vogue: On The Scent.

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